On Basswood
The 1932 Bugatti is not just a machine — it is a sculpture on wheels, a marriage of power and elegance that defined an era. Grady Summers was drawn to its sweeping lines and mechanical grace, spending countless hours tracing every curve and detail with a steady hand and a burning iron. To burn a Bugatti into wood is to honor two kinds of craftsmanship at once — the man who built the car, and the man who preserved it in flame.